action camera attachments

7 Best Action Camera Microphone Attachments in 2024 (For Better Sound!)

It’s often been said, but it bears reiterating. Bad sound quality is more of a turn-off in a video than bad video quality. If you trust your camera’s microphone for sound, you will most likely be disappointed with some issues. You can not erase these problems by adding an external microphone to your action camera.

You will require an action camera microphone attachment. This is because most action cameras don’t hold a microphone input.

Do you want to increase your sound quality to the next level by enhancing audio quality? You can read our review of the best action camera microphone attachments.

Film crew on beach

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How to Attach an External Microphone

The first barrier to overcome is the absence of an audio jack. You need to get your audio indication into your action camera. Action cameras lack an outer microphone input port. This implies you will need a microphone adapter to utilize an external action camera microphone. But with some old models or cheaper action cameras, there might not actually be an option available.

This review considers that compact usability is a preference for action cameras. All these external microphones will attach to an audio recorder, but that isn’t the priority here. (As a side note, an audio recorder conveys you to the next level for better sound quality. Mainly because it enhances the microphone pre-amp enormously.)

Assuming this isn’t the case for you, then let’s move.

External Microphone Adapters for GoPro Cameras

For a GoPro HERO3 or HERO4 action camera, you will need a 3.5mm to USB mini B adapter to connect an external microphone. This might just be an unsophisticated dongle. But it will permit you to attach an external microphone to your GoPro.

GoPro dongle action camera microphone attachment

For the GoPro HERO5 and afterward, things become a bit easier. GoPro constructs an adapter that connects to the USB C socket and delivers a 3.5mm USB C socket. This is the easiest resolution from the HERO5 to the HERO7 action cameras.

GoPro USB C Dongle action camera microphone attachment

The most awesome product for the HERO8, HERO9, and HERO10 is GoPro’s own Camera Media Mod. (Although similar, the HERO8 Media Mod does not include the other two action cameras.)

The Media Mod is a wrap-around adapter that attaches to the USB socket on the action camera. It counts a directional microphone, two cold shoe mounts, and 3.5mm, USB C, and mini HDMI ports. The required external microphone is already sounder than the action camera’s own mic. The mount and the 3.5mm socket add an enormous range of possibilities.

GoPro Media Mod

But there are two downsides. The mod isn’t waterproofed and will compromise the motion camera’s waterproofing. This means you can’t operate it if you think the camera might get submerged. It also adds a coating of complexity to switching the battery, as it has to be removed entirely from the camera to do so.

An option is the Ulanzi range of GoPro action camera lodgings. They don’t have the integral external microphone located on the Media Mod. But they do present more flexibility for mounting additions. The housings permit easier entrance to the battery and SD card. They also deliver both tripod screw and GoPro finger mounting options. But you will need a USB to 3.5mm adapter.

Ulanzi GoPro mount

External Microphone Adapters for DJI Osmo Action and Action 2

Generic dongles with a USB C to 3.5mm should perform with DJI Osmo Action and Action 2 cameras. But it’s a suitable idea to always check compatibility before you purchase. The CYNOVA Osmo Action Dual provides a more modular-looking key and adds a USB C port. As with the GoPro Media Mod, operating the adapter compromises the waterproofing.

Cynova camera adapter

So, we’ve sorted out the adapter condition. Now let’s look at selecting an external microphone for your action camera footage.

What is the Best Action Camera Microphone?

We’re heading to look at two main types of microphones for an action camera—shotgun and lavalier. Which one is fitting for you will depend on your demands.

Microphones gather sound in similar ways but are developed for different purposes. An action camera microphone will be omnidirectional. This indicates it gathers sound from everywhere. But realistically, these microphones catch sound from a 180º field.

A shotgun mic offers you a more directional sound. It will also have enhanced sound quality and better wind noise suppression. It will exclude or decrease the sound coming from the side and rear, concentrating on what is directly in front of the mic.

A lavalier microphone gathers sound much like the action camera mic. Its benefit is it gets you up close for interviews or narration. This enhances ambient noise reduction. With an action camera, it creates no sense to connect yourself down with wires, so we’ll just glimpse at wireless solutions.

How to Choose a Lavalier Microphone

The lavalier microphone is sometimes contacted by a lapel or tie-clip mic. It is very familiar to us all from television. What isn’t always clear is that they are used in dramas and films, hidden from view. Audio experts like them because you can place them close to the sound basis.

The lav mics for action cameras we have selected for this review look different from TV ones. This is because they connect the transmitter and microphone in one unit. Not so good for TV, but excellent for amenities when on the go. It means there are no trailing wires, which is vital for the action camera user.

7 Best Action Camera Microphone Attachment

1. Rode Wireless Go II

Rode is a well-reputed manufacturer of audio products. And the Wireless Go II is a great standard of why they’re so famous. There are two arrangements, with either one or two transmitters.

They are compact, square, and easily portable devices. The transmitter connects to the subject’s clothes, and the receiver mounts on a cold or hot shoe. You will also need to attach the receiver to the 3.55 input port of your preferred adapter.

The transmission range for the wireless is mentioned as 660′ (200 m). So realistically, anything closer than 330’ (100 m) should never be a concern. The transmitter delivers onboard recording. This means you won’t lose the audio even if the transmission drops.

The Wireless Go II employs Rode’s safety mode. This videoes is a second audio track at -20 dB. The transmitter keeps your sound at a lower volume without clipping, even if you get overexcited as you dive out of a plane. The Rode phone app permits control of safety mode and other parts. The receiver also has a clear color LCD screen for observing several parameters.

Rode Wireless Go action camera microphone attachment


  • Dual-channel wireless microphone setup for recording two sound sources simultaneously
  • Series IV 2.4GHz digital transmission, 128-bit encryption – crystal-clear audio at up to 200m (line of sight), optimized for extremely stable operation in dense RF environments
  • 3.5mm TRS analog outcome, USB-C, and iOS digital output – universal compatibility with cameras, mobile gadgets, and computers
  • On-board recording – over 24 hours of inner memory
  • Mono or stereo recording modes – record per channel separately or combine them for utmost flexibility in post-production
  • Protection channel, flexible gain control (three-stage pad, expandable to 10-phase)
  • In-built rechargeable lithium-ion battery – up to 7 hours of battery life
  • Designed and created in RØDE’s precision manufacturing establishments in Australia

2. DJI Mic– Ultimate Action Camera Microphone Attachment

The DJI Mic is particularly developed for the DJI Osmo Action. It comes with a cold shoe adapter permitting you to use it with other cameras, including your action camera. we always make dji mic review There are two microphone/transmitter divisions and a receiver. And they can all be safely reserved in a solid charging carry case. This makes enchanting, pairing, and charging the units simple.

You can clip the transmitters to clothes. If that’s not likely, they also have a magnetic mount. This is a valid solution for T-shirts or unbuttoned shirts, for instance.

The battery life is 15 hours and will distantly outlive the recording time on any action camera. And the included dead cats will decrease wind noise.

Like the Rode Wireless Go II, the DJI Mic has onboard recording and a protection track (of -6 dB). It also has adaptable gain levels, so you can fit the receiver’s output to the conditions of your action camera.

DJI Mic action camera microphone attachment


  • 250m transmission range
  • Dual-channel recording
  • Up to 14 hours of onboard memory
  • Portable and compact
  • Wide compatibility
  • 15-hour battery life
  • Due to lighting and monitor differences, actual colors and finishes may differ little from what appears online

3. Synco G2

I’m including this as a contender in the budget external microphone area. The Synco G2 works on the same principle as the previous microphone designs. What it lacks is the onboard recording, so if your audio drops, then you lose that part of the recording. And it doesn’t have a safety track either.

Listening to the Synco G2 and Rode Wireless Go II side-by-side, the Rode has preeminent sound quality. There is less noise, and the sound is more prosperous. The Rode delivers better audio quality than the Synco G2.

All things are comparative, though. The Synco will give you better voice recording at a longer than the action camera’s built-in microphone. If you don’t want to expend the money on the Rode (or the DJI, which is even more expensive), then the Synco is worth a look.


  • For Journalists, Vloggers, YouTubers
  • Transmitters with Built-In Mic + Lav Mic
  • Ultracompact Single-Channel Receiver or Dual Receiver
  • Attaches to 3.5mm Input on Camera
  • Easy to Use, Automatic Pairing
  • TFT Displays on Transmitter & Receiver
  • Adjustable Gain on Receiver, Mute Button
  • 3.5mm Cables for Camera & Mobile Device
  • 8-Hour Built-In USB-Rechargeable Battery
  • 230′ Range, Encrypted Transmission
Synco G2 action camera microphone attachment

How to Choose a Shotgun Microphone

A shotgun microphone is better directional than lavalier mics. It’s created to catch the sound coming from the direction it’s telling in. This enhances audio quality by decreasing unwanted external noise.

A shock mount will decrease the noise transmitted via the action camera housing. And a deadcat will assist tackle wind noise. These are nimble parts given how you use an action camera.

If you have run the GoPro Media Mod route, then you already have a shotgun mic (of sorts) with an action camera Microphone attachment. It is by far the smallest chance and is switchable between front and rear-facing. In most circumstances, it will suggest higher audio quality than the built-in mics. But it’s not the exact as an external microphone. The given foam windshield will assist with wind noise, but not as much as a deadcat.

4. Movo VXR10 Pro– Trusted Action Camera Microphone Attachment

The Movo VXR10 Pro shotgun microphone is a shock-mounted close shotgun mic. The mic comes with cables to link to your action camera or a smartphone. It also comes with a travel purse and a deadcat windshield.

The Movo VXR10 Pro has a richer sound with less high-frequency reply than the Rode. The downside of this is that in very windy situations, the Movo tends to pick up too much wind bluster. This is true even with the deadcat lodged.

This might be a concern, given that action cameras consume so much of their time in the grand outdoors. At this price, it’s no wonder that there’s no high-pass filter or gain control. But there is a headphone socket so you can observe your recording.

Movo VXR10 action camera microphone attachment


  • Supercardioid polar pattern. For precision, directional recording
  • Rycote Lyre shock mount. Virtually eliminates all vibrations & handling noise
  • Professional-grade. Records high-quality audio with a variety of onboard controls & headphone monitoring capability
  • Battery-free. Pulls power directly from your phone or camera
  • 3.5mm TRS & TRRS adapters. Compatible with most smartphones and cameras

5. Sairen VM-Q1

I’ve only newly come across Sairen. But the VM-Q1 microphone is tempting some positive reviews. The mic arrives at a very low price. It is very close and comes with a shock mount, deadcat, and foam windshields.

Sound quality is a mixed pack, as at least one reviewer discovered that the cables fitted with the mic were very noisy. That being said, with a cable advancement, the sound is amazing for the price bracket.

And again, remember, even using a budget mic like this will greatly enhance the audio quality of your video recording. The Sairen VM-Q1 does not include a headphone jack, so you won’t be able to observe the sound on the go.

Sairen VM-Q1 action camera microphone attachment


  • :1. Broadcast sound quality, customized microphone, flat frequency response
  • 2. Patented shock mount, minimizing the noise of the unwanted vibration
  • 3. Low self -noise
  • 4. Cardioid recording pattern(minimizing the noise interference of non-subject )
  • 5. All-metal microphone body
  • 6. No battery required

6. Rode VideoMicro– Compact Action Camera Microphone Attachment

Rode is a prevalent force in the world of vlogging and YouTube. Partly because they have a broad range of microphones. It appears the Rode “sound” seems to satisfy the anticipations of content creators and customers.

The VideoMicro can sound short lacking in lower frequencies corresponding with others. This is because the frequency reaction almost completely destroys the sub- 100 Hz range. This is great for soothing traffic noise. It also causes the mic very effective in windy situations. This is especially accurate when using the included deadcat windshield.

The human voice largely depends on the higher frequencies as well. Perhaps the attachment for this brand is because Rode catches speech clearly. It also permits it to cut through the background clutter.

Rode VideoMic Pro action camera microphone attachment

Rode VideoMicro Features

  • Compact size and lightweight – only 80mm (3′) long and 42gm (1.5oz)
  • All-metal microphone body
  • No battery required (powered by camera plug-in power – min 3V)
  • Rycote Lyre shock mount included
  • Deluxe furry windshield included
  • Designed and manufactured in Australia
  • Two-year extended warranty when you register your microphone

7. Boya BY-MM1

Regarding sound quality, it is hard to describe the difference between the Rode VideoMicro and the Boya BY-MM1. However, your wallet will detect the difference as the latter is around half the price.

The BY-MM1 has the amenities we would expect from this sort of microphone. It comes with a deadcat, shock mount, cords, and carry bag. The BY-MM1 is a solid performer, and I favor the sound from the Boya to the Rode. But the slightly deficient performance in the wind might be a deciding aspect for you.

Boya BY-MM1 action camera microphone attachment

Product Highlights:

• Work with smartphones, DSLRs, PCs,

  Consumer camcorders etc.

  • • Ideal for recording on vlogs, video-making and more.
  • • Compact and portable.
  • • With cardioid polar pattern.
  • • No battery required, plug and play.
  • • 3.5mm TRS and TRRS cable, furry windshield and

  carrying pouch included.


Let’s remind ourselves why we’re peeking at external microphones. An external microphone particularly increases the sound grade of your video recordings. This is actually in almost any circumstance.

You need to assess the type of recording you do, the requirements you do, and your budget. This will specify which of these outer microphones will be perfect for you.

For simplicity and comfort of use, the Rode Wireless Go II is an excellent option for a lavalier microphone. If you have the extra money, the DJI Mic is a really gorgeous choice. The charging travel case and magnetic mounting possibilities are great features.

With a shotgun microphone, the choice is to balance execution with personal preference. My own preference would be the Boya BY-MM1 because of the richness of its sound. The finest action camera microphone attachment for your demands will be a balance between performance, price, and personal choice.

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